Julius Caesar’s days are numbered in this media-saturated, modern take on Shakespeare’s classic tragedy. With Caesar’s assassins in one camp and the inheritors of his authority in the other, political warfare consumes Rome—fought through social media and the 24-hour news cycle. Who will survive in the end, and will they still be themselves?
Center for the Performing Arts Theatre
On stage: This 'Caesar' takes a new direction
In a modern take on the Roman Republic, Caesar and his running mate May Antonia have just won a major election. Cassia, who bears a grudge against Caesar, wants to enlist Brutus in a plot to overthrow the populist upstart—by assassinating him. Cassia and her fellow conspirators manipulate social media to give Brutus the impression that the public wants him to act. The next day, the fateful Ides of March, the conspirators spring a trap on Caesar at the Capitol. They brutally stab Caesar to death in a sealed room. However, a video of the assassination makes it out, waiting to be presented at the right moment as evidence. Secretly vowing revenge, May Antonia asks Brutus to speak at Caesar’s funeral, which Brutus consents to against Cassia’s advice.
A group has gathered in a bar to watch the live television broadcast of Caesar’s funeral service. Brutus delivers a mighty speech to justify Caesar’s death. May Antonia counters his oratory with a moving performance of love and mourning that divides public opinion. A riot breaks out, leading to a political war between the conspirators and Caesar’s loyalists, including the opportunistic senator Octavius. As the fight drags on, Brutus’ faction grows weak. Not only are members of his camp identified in the assassination video and arrested for corruption, he and Cassia lose faith in one another. People once thought to be loyal friends change sides. Antonia and Octavius exploit the media to win the fight, successfully painting Brutus as a traitor. Receiving word that Cassia has fled abroad, Brutus feels the walls close in on him…
Synopsis by Kee-Yoon Nahm
ARTISTS | |
Assistant Director | TBD |
Scenic Design | John C. Starkᵘˢᵃ |
Costume Design | Kathryn Roheᵘˢᵃ |
Lighting Design | Julie Mackᵘˢᵃ |
Sound Design | M. Anthony Reimer |
Projection Designer | Kristin Carlson |
Stage Manager | Jennifer Leigh Sears |
Fight Director | John Tovarˢᵈᶜ |
Fight Captain | Sarah West |
Dialect and Text Coach | Thom Miller |
CAST | |
The Leaders | |
Caesar, the newly elected Consul of Rome | Nathan StarkӔ |
May Antonia, Caesar’s Proconsul | Nisi SturgisӔ |
The Senate | |
Brutus, married to Portia | Fred GeyerӔ |
Cassia | Jessica Dean Turner |
Casca | Kelsey Fisher-Waits |
Decia | Lisa Gaye DixonӔ |
Metellus | Kevin McKillip |
Cinna | Jordan CoughtryӔ |
Octavius | Chauncy ThomasӔ |
The Staff | |
Portia, a member of May Antonia’s staff | Ashley Hart Adams |
Calpurnia, Caesar’s girlfriend | Aidaa Peerzada |
Laena, Octavius’ intern | Sarah West |
Lucius, Brutus’ intern | Brian Kim |
Lepidus, Decia’s intern | Molly Martinez-Collins |
Trebonius, Cinna’s intern | Troy Schaeflein |
The Citizens | |
Marulla, bartender at the Capitol Bar | Maya Vinice Prentiss |
Flavius, a street busker | Loren Jones |
Messala, a TV pundit | Lori Adams |
Titinius, a reporter for a local alt-weekly | Isa Guitian |
Bar patrons and Citizens | Tori Delaney, Sebastian Grimǂ, Antonio Lasanta, Caitlin Wolfe |
Understudies | Tori Delaney (Calpurnia), Sebastian Grimǂ (Metellus and Cinna), Isa Guitian (Cassia), Loren Jones (Brutus), Antonio Lasanta (Octavius), Molly Martinez-Collins (Portia), Maya Prentiss (Decia), Troy Schaeflein (Caesar), Sarah West (May Antonia) |
Explore our Dramaturgy page for more information on the show!